[2001, 2002, 2003, 2004, 2005]
  Past Exhibits
2005






(top) Randy Johnston
(bottom) Jan McKeachie-Johnston, 2004


Fired-Up: New works from the Ceramics Studio and visiting artists Randy Johnston and Jan McKeachie-Johnston

Exhibition Dates: January 7 – February 5, 2006
Opening Reception: January 13, 6:00 – 8:00 pm


This invitational exhibition will showcase the recent work of instructors and intermediate students working in the Hui No'eau's ceramics studio over the past year. Artists include:

Maria Abrams, Anita Bachmann, Sherrie Barnhard, Marge Bonar, Gayle Bright, Evelyn Brown, Susan Brown, Walter Bruder, Christina Cowan, David Crockett, Ayumi Ditamore, Ian Edmondson, Adam Field, Bob Flint, Jeff Johnson, Stacey Guinan, Bill Hanke, Macario Hernandez, Tom Kamijo, Tracy Lamon, Chris Lieding, Barbara Lund, Nancy Martel, Sarah Metz, Kevin Omuro, Kazue Otsu, Jennifer Owen, Rita Perry, Julie Peterson, Wayne Price, Sharon Ransford, Robin Ricards, George Schattenburg, Scott Semple, Lisa Sepa, Curt Stevens, Jules Stevens, Janelle Thompson, Vicki Underwood, Christy Vail, and Sandy Vitarelli.

The Hui is please to present a second exhibition of Randy Johnston and Jan McKeachie-Johnston's work in the gallery. This special exhibition is presented in conjunction with their workshop, Ideas about Pots.




















Hui No'eau Juried Exhibition 2005

Exhibition Dates: October 16 – November 16, 2005
Opening Reception: Saturday, October 15, 6:00 – 8:00 pm

This annual multi-media exhibition provides an excellent opportunity to view a survey of the arts community in Hawaii. The Juried Exhibition is an annual all media exhibition for members of Hui No'eau who are eighteen years or older.

Juror: Rick Mills

Rick Mills is a glass and mixed-media sculptor and Professor of Art at the University of Hawaii at Manoa. He received his BFA from Ohio State University in Columbus, Ohio (1980) and his MFA from the University of Hawaii (1986). In 1986 and 2004 Mills received a Creative Glass Center of America Fellowship, and in 1988, he was a research fellow at the Royal College of Art in London, England. In 1992 and 1998 he taught glass casting at the Pilchuck Glass School in Stanwood, Washington. Through the years, his work has been widely exhibited locally, nationally and internationally in places such as the International Glass Kanazawa 1990, Japan, Crossings 1989 France-Hawaii; solo exhibitions at The Contemporary Museum, Hawaii in 1995, Friesen Gallery in Seattle, Washington in 1997 & 2000 and at the Museum of Northwest Art in La Conner, Washington in 1999. In 1998 he completed a large glass frieze commissioned by the State Foundation on Culture and the Arts (SFCA) for the Hawaii Convention Center and in 1999 received their Individual Artist Fellowship Award. In November of 2003, he completed another large glass wall relief sculpture for Leilehua High School in Wahiawa as part of the SFCA's Artists in the Schools Program. In 2002 he received the Baciu Award from the Artists of Hawaii Exhibition at the Honolulu Academy of Arts. His sculptures and blown glass are in numerous private and public collections such as the Hawaii State Foundation on Culture and the Arts, Glasmuseum, Ebeltoft, Denmark, Royal College of Art, London, England.









Don Ed Hardy





Horiyoshi III

Wood Skin Ink:
The Japanese Aesthetic in Modern Tattooing

Conference & Exhibition



Conferences:
July 29, 30 & 31, 2005
Exhibition: August 1 - September 25


Exhibit:
This exhibition explores the influence that Edo period Ukiyo-e woodblock prints, themes and icons have had on the modern tattoo movement. Historical images that have played a major role in the formation of a tattoo aesthetic which is now truly global--stretching from Japan to America--will be highlighted alongside works on paper by five leading contemporary tattoo artists:

Don Ed Hardy, undisputed American Tattoo Master, painter, printmaker, scholar, writer, curator and editor. Chris Trevino, tattooist from Austin Texas, who is pushing the boundaries of the Japanese tattoo with his work in America and Japan. One of the top tattooists working today. Takahiro Kitamura, known by his tattoo name of Horitaka, continues in the tradition of Hardy by writing many scholarly books on the themes if tattooing while running his own shop in San Jose, California. Horiyoshi III from Yokohama, one of the top Japanese Tattoo Masters, known throughout the world for his traditional and bold designs. Horitomo, also from Yokohama, Horiyoshi’s apprentice and a rising star on the scene.

Catalog:
Wood Skin Ink
Published by Hardy Marks, San Francisco

• 36 pages with more than 50 illustrations
• Essays by Don Ed Hardy, Takahiro Kitamura, Paul Mullowney, Rebecca Salter
• $20 plus postage




to order contact audreyt@huinoeau.com









David Hamma, Blue Bulge, drypoint with silkscreen and acrylic





San Shoppell, Plus Shipping Charges, paper plastic laminate, ready-made box, sequins, thread
Solo Exhibitions 2005
Main Gallery, 1st floor exhibits

Exhibit Dates: June 4 - July 10, 2005
Opening Reception: Friday, June 3, 6:30 - 8:30 pm


The Solo Exhibitions provide one of the only opportunities available on Maui for artists to present a complete body of work in a public gallery. For these exhibits, Hui No'eau commits its resources to provide exposure, critical dialogue and a substantial educational opportunity for the artist and
public alike.

The Hui is pleased to announce this years Solo Exhibition artists; David Hamma and San Shoppell.

David Hamma

I am interested in cycles of growth and decay, death and rebirth. Sometimes my work is loaded with personal iconography relating to both the mundane and mysterious. Other times it is a sparsely populated place intended perhaps to produce a calm reflectiveness. Although nature is very much alive in my work, mine is a non-representational approach. I am not interested in trying to replicate the beauty of the plants, trees, oceans, etc. but to hopefully extract some essential quality or lesson from them and to let those things into my work.

San Shoppell
This installation is all about taboos in the gallery/museum world. An examination and reflection of how these restrictions can have impact on the viewer and the creator of objects for exhibitions and enjoyment. Its about pushing the envelop of can and can not dos. The majority of my recent works have been pieces that engage the viewer to participate in the piece, not just view it. I have tempted them to touch play and even eat the art I have created. With this exploration, I have found it amazing how many viewers are intimidated with this option. I have challenged their notions of what is “acceptable behavior” while viewing art.







Peter Chamberlain



Instrument
Main Gallery, 1st floor exhibits

Exhibit Dates: March 19 – May 21
Opening Reception: March 18, 6:00 - 8:30 pm

Artists working in a wide range of media have been invited to create one work each using the concept of instrument as a point of departure. The theme is open to each artists’ personal interpretation and creative vision.

Invited Artists:
George Allan, Neida Bangerter, Mimi Bergstrom, Walter Bruder, Peter Chamberlain, Gaye Chan, Deborah Nehmad, Perhi Colombatto, David Hamma, Lynda Hess, Ditmar Hoerl, John Koga, Pat Masumoto, Chris Reiner, San Shoppell, Fred Roster, Scott Semple, Frank Sheriff, Ron Smith, Rob Spenser, Ari Vandershoot, Tony Walholm, and others.

Free Hands-on Demonstrations
Saturdays, April 2, 9, 16 & 23

Drop in between 12:00 – 3:00 with your family and friends and join participating artist, Neida Bangerter, Ron Smith, Scott Semple & David Hamma for FREE hands-on projects and demos in the solarium during the Instrument Exhibition.